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Like Gordon Cullen, though not nearly as explicitly, he is always thinking how people move through space, how they encounter buildings and the public places that surround them. This also applies to churches - which I confess I find quite odd as I am so used to them sitting in open space in the US and UK. This explores the many examples of monuments and fountains that sit not at the centre of the square, or in way of its foot traffic, but off to one side. Thus we diminish the effect … instead of augmenting it … (11-12) II: Open Centers of Public Places The fundamental difference between the procedures of former times and those of today rests in the fact that we constantly seek the largest space for each little statue. This highlights again the importance of the public square in community life, and contrasts the squares that work well from the past with those that don’t from his present: I: The relationship Between Buildings, Monuments and Public Squares In many ways the chapter headings summarise very nicely Sitte’s arguments. The bulk of the book, however, focuses on the details of public spaces, groupings of building and streets that work.
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The highest poetry and thought are embodied in them. The interior temples and monuments are the stone myths of the greek people. It is to the city, so to speak, the principal hall… (5) In brief, the place of the forum in cities corresponds to that of the principal room of a house. (2)īut I like playing with this very different understanding of space that he sees existing in past and present: Public squares, or plazas, were then of prime necessity, for they were theaters for the principal scenes of public life, which today take place in closed halls. (2)ĭifference between then and now, I wish, as I say he had thought through more of the corollary. Perhaps this study will permit us to find the means of satisfying the three principal requirements of practical city building: to rid the modern systems of blocks and regularly aligned houses to save as much as possible of that which remains from ancient cities and in our creation to approach more closely the ideal of the ancient models. He doesn’t argue that they are not needed, but rather that they need to rethink their approach and incorporate, as he says, the artist.
Camillo Sitte The Art Of Building Cities Pdf Writer professional#
(1)įrom his words you would know the world has already entered the time of professional planners, architects, what Sitte calls hygienists. We need, in addition, the talent of the artist. The science of the technician will not suffice to accomplish this. In the introduction he quotes Artistotle’s summary: ‘A city should be built to give its inhabitants security and happiness.’ Sitte continues The underlying idea of the forum and the plaza, through out the ages the focal points of classical and medieval cities, took on less social and political meaning. The growing number of comforts within the modern shelter had, one by one, eliminated the desire for pageantry in the space outside. Sitte argues that the changes in the city reflect the changes in social life - in medieval times much of life led on the street, because interiors cold, damp, uncomfortable. The other half is how architecture and planning in turn shapes social life in the dialectic that Henri Lefebvre would explore among others. So it has half the equation I think is needed. This is essentially a look at what works about older cities, and it connects patterns in architecture and planning with patterns of social life. Simultaneously with this understanding of such organic town pattern, and subsequently to a great extent as a logical consequence of it … there became laid an equally strong groundwork for such an understanding of architecture that even the architectural style-form must express contemporary conditions, and no other conditions.
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But it does try to look forward, and though not everyone reads it that way, this is from Eliel Saarinen prefatory note: Fin de siecle Vienna in the middle of its drive towards modernity, this is a curiously ambivalent book that looks to the past in order to reimagine an urban future.
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This translation is from 1945, but the book itself was originally published in Vienna in 1889. Camillo Sitte’s The Art of Building Cities is one of the acknowledged cornerstones of the whole edifice of books I really love about architecture and public space.